Ray Tango and Gabriel Money are two profitable narcotics detectives who can’t stand one another. Crime lord Yves Perret, livid on the lack of revenue they’ve triggered him, plots an elaborate revenge in opposition to them.
Credit: TheMovieDb.
Movie Solid:
- Raymond ‘Ray’ Tango: Sylvester Stallone
- Gabriel ‘Gabe’ Money: Kurt Russell
- Katherine ‘Kiki’ Tango: Teri Hatcher
- Yves Perret: Jack Palance
- Requin: Brion James
- Quan: James Hong
- Lopez: Marc Alaimo
- Chinese language Gunman: Philip Tan
- Owen: Michael J. Pollard
- Face: Robert Z’Dar
- Wyler: Lewis Arquette
- Capt. Holmes: Edward Bunker
- Hendricks: Leslie Morris
- Fed. Agent Davis: Roy Brocksmith
- Prosecutor: Susan Krebs
- Choose McCormick: David Byrd
- Nolan: Richard Fancy
- Santos: Jerry Martinez
- Skinner: Michael Jeter
- Van Driver: Bing Russell
- Station Cop: Alphonse Walter
- Kagan: Peter Stensland
- Assistant Warden Matt Sokowski: Phil Rubenstein
- Interpreter: Elizabeth Sung
- Slinky: Clint Howard
- Federal Agent: Ed DeFusco
- Federal Agent: Jack Goode Jr.
- Federal Agent: Geoff Vanderstock
- Federal Agent: Larry Humburger
- Desk Cop: Mark Wooden
- Money’s Cellmate: Andre Rosey Brown
- Automobile Proprietor: Savely Kramarov
- Reporter: Michael Francis Clarke
- Reporter: Anne Cooper
- Reporter: Tammy Richardson
- Reporter: Patti Davis
- Prisoner: Richard L. Duran
- Prisoner: Doug Ford
- Prisoner: Kenneth Pruitt
- Prisoner: Ronald Moss
- Prisoner: Rick Dominguez
- Lynn: Kristen Dalton
- Woman in Bar: Tamara Landry
- Woman in Bar: Anna Joyner
- Dance Double: Melissa Bremner
- Dressing Room Woman: Christie Mucciante
- Dressing Room Woman: Lucia Neal
- Dressing Room Woman: Roxanne Kernohan
- Dressing Room Woman: Dori Courtney
- Captain: Dale Swann
- Slobber: John Walter Davis
- Dancer: Adolfo Quinones
- Sonny: David Lea
- Co-Employee: Glenn Morshower
- Weasel: Salvador Espinoza
- State Trooper: Christopher Wolf
- Cop: Larry White
- Detective: Richard J. Larson
- Detective: Fred Trombley
- Detective: Matt Tufo
- Inmate: David Phillips
- Inmate: Lewis Guido
- Inmate: James Reilley
- Inmate: Gilbert Esparza
- Bailiff: Martin Valinsky
- Guard: Donald Zinn
- Guard: Duane Allen
- Membership Doorman: Robert David Armstrong
- Buyer: Philip Weyland
- Buyer: Paul Lewis
- Buyer: Ron Cummins
- Thug (uncredited): Benny Urquidez
- Jail Thug (uncredited): Billy Blanks
- Captain Schroeder (uncredited): Geoffrey Lewis
- Lifeless Lopez (uncredited): Michael Lent
Movie Crew:
- Director: Andrei Konchalovsky
- Authentic Music Composer: Harold Faltermeyer
- Director of Pictures: Donald E. Thorin
- Editor: Hubert de La Bouillerie
- Editor: Robert A. Ferretti
- Stunts: Allan Graf
- Stunts: Michael Runyard
- Stunts: Dick Ziker
- Stunt Double: Dick Warlock
- Stunts: Charlie Brewer
- Stunts: John On line casino
- Stunts: Joe Gilbride
- Stunts: Lila Finn
- Stunts: James M. Halty
- Stunts: Tommy J. Huff
- Stunts: Steve Holladay
- Stunts: Freddie Hice
- Stunts: Jeff O’Haco
- Stunts: Maria R. Kelly
- Stunts: Justin De Rosa
- Stunts: Mike De Luna
- Stunts: Jim Burk
- Stunts: Gary Compton
- Stunts: Pat Romano
- Stunts: J.N. Roberts
- Stunts: Ben Scott
- Stunts: Steve Vandeman
- Stunts: Invoice M. Ryusaki
- Stunts: Henry Kingi Jr.
- Stunts: Robert Apisa
- Stunts: Jeff Langton
- Stunts: Ron Oliney
- Stunts: Jeff Bornstein
- Stunts: John-Clay Scott
- Stunts: Paul Dion Monte
- Battle Choreographer: Benny Urquidez
- Stunts: Ric Roman Waugh
- Stunts: Rick LeFevour
- Stunt Coordinator: M. James Arnett
- First Assistant Director: Marty P. Ewing
- Second Assistant Director: Artist W. Robinson
- Govt Producer: Peter MacDonald
- Second Unit Director of Pictures: Julio Macat
- Chief Lighting Technician: James F. Boyle
- Digital camera Operator: Frederic J. Smith
- Script Supervisor: Kathryn Weygand
- Make-up Artist: Gary Liddiard
- Choreographer: Jeffrey Hornaday
- Stunts: Jeff Imada
- Stunts: Gene LeBell
- Stunts: Jophery C. Brown
- Stunts: Ronnie Rondell Jr.
- Affiliate Producer: Barbara Kalish
- Affiliate Producer: Tony Munafo
- Co-Producer: Larry Franco
- Producer: Peter Guber
- Producer: Jon Peters
- Casting: Glenn Daniels
- Manufacturing Design: J. Michael Riva
- Artwork Path: Richard Berger
- Artwork Path: David F. Klassen
- Set Ornament: Marvin March
- Costume Design: Bernie Pollack
- Development Coordinator: Larry Verne
- Development Foreman: Michael Wright
- Leadman: Jack Eberhart
- Set Designer: Alan S. Kaye
- Standby Painter: Sharleen Vivid
- First Assistant Digital camera: Daniel C. Gold
- Key Grip: Paul E. Borchardt
- Nonetheless Photographer: Dave Friedman
- Costume Supervisor: Ed Fincher
- Hairstylist: Shirley Dolle
- Make-up Artist: Dennis Liddiard
- Carpenter: Mike Sasgen
- Craft Service: Jeff Winn
- Driver: Gina August
- Propmaker: Neil Garland
- Property Grasp: Kent H. Johnson
- Sound Recordist: Michael S. Wren
- Particular Results Coordinator: Jon G. Belyeu
- Transportation Captain: Eddie Lee Voelker
- Unit Manufacturing Supervisor: Stratton Leopold
- Unit Publicist: David Fulton
- Utility Stunts: Richie Gaona
- Video Help Operator: Paul Murphey
- Electrician: Chris Athy
- Lighting Technician: Malcolm Bryce
- Rigging Grip: Gary Molyneux
- Location Supervisor: Pavel Cerny
- Manufacturing Accountant: Mark L. Roth
- Growth Operator: Kenneth Schwarz
- Assistant Sound Editor: Robert Martel
- Music Editor: Carlton Kaller
- Sound Editor: Stu Bernstein
- Sound Results Editor: Ed Callahan
- Sound Mixer: Charles M. Wilborn
- Supervising Sound Editor: Robert R. Rutledge
- Visible Results: Peter Kuran
- Visible Results Supervisor: Michael L. Fink
- Storyboard: David Russell
- Producer: Christine Forsyth-Peters
- Stunt Double: Mark De Alessandro
- Stunts: Gary McLarty
- Stunts: Bob Orrison
- Stunts: Manny Perry
- Stunts: Steve Hart
- Stunts: Gilbert B. Combs
- Supervising Editor: Stuart Baird
- Digital camera Operator: Dennis Smith
- Author: Randy Feldman
- Costumer: Leah Brown
- Assistant Property Grasp: Audrey A. Johnson
- Title Designer: Wayne Fitzgerald
- ADR Editor: Bruce Lacey
- Foley Artist: Craig S. Jaeger
- Supervising ADR Editor: James Beshears
- Stunt Double: Pete Antico
- Assistant Digital camera: Richard A. Kelley
- Finest Boy Grip: Charles Hatcher
- Dolly Grip: Clyde W. Smith
- Second Assistant Digital camera: Michael Raspa
- Casting Coordinator: Douglas Wright
- Assistant Accountant: Peter McManus
- Assistant Chief Lighting Technician: Peter Davidian
- Chief Lighting Technician: Gerald Boatright
- Lighting Design: Richard Ocean
- Manufacturing Assistant: Shirley Cohen
- Manufacturing Secretary: Kathy Sarreal
- Technical Advisor: David Lea
- Automobiles Coordinator: Dennis Janovici
- Assistant Chief Lighting Technician: Eric Smith
Film Critiques:
- John Chard: In case you actually wished to stare demise within the eye, you shoulda gotten married.
- Sylvester Stallone and Kurt Russell play polar reverse Los Angeles cops who’re framed by an arch nemesis and compelled to staff up with the intention to clear their identify.
- Unashamedly macho and really a lot of its time, that is daft energetic enjoyable that’s stuffed with octane creative motion and ever quotable one liners. Stallone is Tango, the sensible dressed subtle policeman, Russel is Money, the slobbish act first – ask questions later copper, each males very totally different however each wonderful at their jobs.
- Pic will get by totally on the chemistry between Stallone and Russell, who put a lot zest into their respective characters bickering and bantering. Motion is properly put collectively by director Andrey Konchalovskiy, however sadly the ultimate third of the piece begins to sag as our mismatched cops begin to respect and befriend one another and the plot reaches the inevitable conclusion.
- It doesn’t assist issues that Jack Palance’s principal villain is simply a bit half participant, or that his head henchman Requin (the normally ace Brion James) provides us a fairly appalling British accent. Add in Teri Hatcher who’s in it purely for dressage and as a cypher between the 2 boys, then it’s an image not with out issues. But the script and star turns from the main duo guarantee this stays a favorite of many whom lapped it up again within the backend of the Eighties. 7/10
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