Isaiah Falls is carving out a novel area in up to date R&B together with his newest challenge, LVRS PARADISE. Out right this moment, Could 2., the album’s Facet A provides a nine-track journey that melds the introspective lyricism of his breakout EP Medicine n’ Lullabies with a richer, extra collaborative soundscape. Crafted in two distinct phases—solo writing periods and a collaborative retreat in Los Angeles—the challenge displays Falls’ evolution as an artist unafraid to discover vulnerability and connection in his music.
Among the many standout tracks is “Looking out,” a collaboration with Afro-fusion artist Odeal. The track delves into the complexities of longing and emotional transparency, themes that resonate all through the album. Falls’ dedication to authenticity is additional exemplified by his contributions to Joe Kay’s debut EP, If Not Now, Then When?, the place he options on tracks like “Sluggish It Down” and “Moonlight,” showcasing his versatility and deepening his footprint within the style.
With aspirations that embrace GRAMMY recognition and enviornment excursions, Falls stays grounded in his mission to influence listeners by real storytelling. Drawing inspiration from artists like Miguel, Cleo Sol, and SZA, in addition to components past music similar to structure and cinematography, he continues to push the boundaries of R&B. As anticipation builds for Facet B of LVRS PARADISE, Falls’ trajectory suggests a promising future marked by innovation and heartfelt expression.
EBONY: Your new challenge LVRS PARADISE is out now. What was the recording course of like—and would you name this an EP or a studio album?
Isaiah Falls: It’s form of each. Technically it’s a studio album, nevertheless it’s break up into two components: [Side A] 9 songs and [Side B] 9 songs, every beneath 20 minutes. It’s delivered as an EP, however collectively it’s an album. The inventive course of was actually totally different for both sides. Quite a lot of facet A I wrote on my own. With Medicine and Lullabies, I wrote virtually each track besides one or two. With LVRS PARADISE [Side A], I wrote the primary few songs solo, then for Facet B, me and my crew went out to LA and locked in at this lovely Airbnb. That was a bunch effort. Writing collectively pushes the boundaries, which I like. Two very totally different processes, however equally dope outcomes.
Talking of collaboration, you teamed up with Odeal on “Looking out.” How did that function come collectively?
Isaiah Falls: Odeal is that man. From the soar, I assumed he was dope. I’m not the sort to be too cool—I’ll inform somebody that their music is fireplace straight away. So I messaged him and stated, “Yo, let’s make one thing occur.” Then we each occurred to be in LA, and our managers linked us up.
We made two songs that evening. Hopefully the opposite one drops sometime, however “Looking out” was the primary. We wrote it shortly and collectively—didn’t overthink it, simply had enjoyable. He works quick and places time into his craft, which I respect.
You ended up on three tracks on Joe Kay’s debut EP, If Not Now, Then When? How did you get linked and the way was the recording course of?
Man, it’s loopy. I don’t suppose Joe even is aware of this, however I believe it was final 12 months at Artwork Basel. Me and my crew—are such large followers of Joe Kay and Soulection. I used to be making an attempt to get right into a Joe Kay occasion and I couldn’t. Then I occurred to run into him at a special occasion in a while. We linked there and stayed tapped in ever since. Then he invited me out to his crib in Joshua Tree someday in 2024 and was like, “Yo, I’m engaged on a challenge. I’d like to have you ever be a part of it.”
I pulled up with a bunch of producers and artists, and we locked in for a recording camp. Joe simply dropped the EP—I believe I’m on three songs: two as a function and one I co-wrote with one other artist. It was a dope expertise. They’re pushing the motion, the sound, and love—which is every part I respect in music.
There’s loads of dialog round R&B artists—particularly males—being extra emotionally susceptible. How do you personally navigate that?
For me, it’s simple. Being susceptible and in contact along with your feelings has been a misplaced artwork for males, particularly within the technology earlier than us. They have been raised on “toughen up, be a person.” I get it, nevertheless it’s unhealthy. Now, our technology is lastly tapping into simply being human. I relate to these people who find themselves too scared to say sure issues, so I’ll say it for them.
How do you steadiness being susceptible whereas sustaining privateness, particularly with the stress of social media?
It’s laborious. As an artist, you’re anticipated to be clear along with your followers on a regular basis. However I believe the realness—that vulnerability—is what makes what I do cool. Hopefully in the future I can transfer like Frank Ocean or Gambino, simply disappear once I wish to. However proper now, y’all get all of me.
With the place you might be in your journey—robust collaborations, previous initiatives—what does success appear like to you proper now?
Man, I’ve bought large goals. I would like the GRAMMY. I would like the sector tour. I would like these large moments the place I’m impacting lots of people by music. Finally, I’d love to purchase land, construct homes for my household, and simply keep out the best way. However the principle aim is to achieve and relate to as many individuals like me as attainable.
Who’re a few of the artists or creatives who encourage you?
These days, musically, it’s been Miguel, Cleo Sol, Odie, Leon Thomas. Sailor’s dope. Doechii, SZA—all of them encourage me. I get inspiration from structure, lighting design, videographers—random stuff like that. It doesn’t should be simply music.
You already gave a way of what LVRS PARADISE Facet A and Facet B really feel like. Any perception into after we’ll hear Facet B?
We’re making an attempt to get a GRAMMY [laughs], and the cutoff is August 30. So… in all probability earlier than then. That’s the aim.
I respect the transparency. You talked about Doechii earlier—she was actually open about her objectives, too.
Isaiah Falls: It’s a must to converse it into the air, brother. Let the universe know what you need.