Abubakar Salim has numerous beef with Hollywood—and he’s getting it off his chest in his newest online game. The actor, recognized for his roles as Alyn of Hull on Home of the Dragon and Father in Raised By Wolves, has been balancing his time between the large display screen and gaming, two industries which were affected by a slew of comparable points: lengthy hours, shrinking jobs, abuse of energy, and, extra lately, the fast rise of synthetic intelligence use and generative AI.
Salim’s sophomore recreation, Lifeless Take, is a narrative of Hollywood, ambition, and exploitation, dressed up as a horror recreation that takes intention at his business’s issues, from corruption to AI use. “Hollywood is pure horror,” Salim says.
Lifeless Take is a agency departure from his debut recreation, Tales of Kenzera: Zau. The place Zau instructed a vibrant, heartfelt story about grief, Lifeless Take is a psychological thriller set at nighttime rooms of a Hollywood mansion. After his pal Vinny goes lacking, struggling actor Chase breaks into the house of the business’s hottest director, Duke Cain, looking for clues. The sport is an escape room by the use of residence invasion; room-by-room puzzles unlock extra areas of the home, whether or not which means digging by way of bedrooms and closets, or navigating a poolhouse. Duke’s area is affected by clues a couple of misplaced youngster and a failed marriage, together with hints about how far he’s prepared to push actors in his movies.
Salim likens writing the sport to an exorcism. “You hear these tales,” he says of whispers about headline-making abuse and unhealthy habits. “It’s horrific. To then make a recreation that explores that felt like ‘oh fuck you’ to the business and the machine. It truly is mad what folks get away with, the quantity of toxicity that exists on an business degree.” Lifeless Take lets gamers piece collectively these kinds of tales, a lot as you’d in actual life, by way of emails, notes, and context. An actress caught in a MeToo-like scandal. A director pitting his actors towards one another, or pushing them past their limits.
All through their search, gamers discover flash drives containing video clips of the sport’s actors. Salim made the bizarre option to let these scenes play out as real-life footage as a substitute of as animation. Though the usage of full-motion-video in video games has loved newfound reputation, because of titles like Immortality, it’s nonetheless unusual. Ben Starr (Closing Fantasy XVI, Clair Obscur: Expedition 33) and Neil Newbon (Baldur’s Gate 3, Date The whole lot) act as the sport’s leads, Chase and Vinny. Each actors have labored for years, however it’s solely lately that they’ve had the highlight, because of extra outstanding roles in widespread video games. “They’re fucking good and I wanna present that, relatively than placing them behind a personality,” Salim says.
As a inventive skilled, there’s so much for Salim to dislike about AI use—and he actually does dislike so much—however one concern stands out to him: photographs or movies being “bastardized” in methods actors and artists don’t have any management over. “I believe that is disturbing and disgusting,” he says. “The very last thing I would like is somebody to generate a horrific picture of myself after which my daughter to encounter it as we’re older. That will be horrible.”