Vogue is among the strongest instruments we have now for understanding ourselves and the world round us. Nowhere is that this clearer than within the story of Black American tailoring and the legacy of the Black dandy.
Impressed by scholar Monica L. Miller’s groundbreaking e book Slaves to Vogue: Black Dandyism and the Styling of Black Diasporic Identification, the theme of the Metropolitan Museum of Artwork’s Costume Institute spring 2025 present is Superfine: Tailoring Black Model.
The exhibition charts the evolution of the Black dandy from the 18th century to at the moment. The story it tells is about greater than fits. It’s about energy, satisfaction, resistance and pleasure.
Every year, the Met Gala takes its gown code from the institute’s spring exhibition. This 12 months’s is “Tailor-made for You.” So who’s the Black dandy, why are they so vital to vogue at the moment, and what can we anticipate to see on the purple carpet?
The delivery of the Black Dandy
“Black dandy” is a contemporary time period. Figures like American abolitionist Frederick Douglass (1818–95) or Haitian revolutionary chief Toussaint Louverture (1743–1803) wouldn’t have referred to as themselves dandies, however they used model with related impact: as a software of resistance, self-fashioning and cultural satisfaction.

French poet Charles Baudelaire (1821–67) first wrote about dandies in 1863, describing them as people who elevate model to a type of private and aesthetic resistance.
Baudelaire’s dandy was not simply trendy however symbolic. He was an emblem of modernity itself: a time marked by fluid identities, liminal areas and the collapse of clear boundaries between gender, authenticity and social order.
Dandyism amongst Black males took root within the 18th and nineteenth centuries in each the USA and the Caribbean. Tailoring grew to become a strategy to reclaim dignity beneath enslavement and colonialism.
Dandies take the clothes of an oppressor – aristocratic, colonial, segregationist or in any other case – and switch it right into a weapon of class. By means of meticulous model and refinement, dandies make a silent but putting declare to ethical superiority.

Douglass famously appeared in immaculate Victorian fits when campaigning for abolition, consciously dressing in the identical model as those that denied his freedom.
Louverture used completely tailor-made French navy uniforms through the Haitian Revolution in opposition to French colonial rule.
Within the Nineteen Twenties, Harlem dandies wore high quality tailoring and flamboyant colors, rejecting the concept that poverty or discrimination ought to dictate presentation.
In completely tied cravats, polished sneakers and sharply tailor-made coats, Black dandies refashion energy on their very own phrases.
Presence by model
Dandies additionally problem the slim guidelines of masculinity.
Standard menswear typically calls for restraint, toughness and invisibility. Dandies dare to embrace magnificence, self-adornment and efficiency. This masculinity could be expressive, artistic and even flamboyant.
The luxurious silk fits and punctiliously groomed look of American Jazz pioneer Duke Ellington (1899–1974) projected glamour somewhat than austerity.
The elegantly tailor-made overcoats and scarves of American poet Langston Hughes (1901–67) steered a masculinity deeply entwined with creativity and softness.
Figures in Harlem’s ballrooms and jazz golf equipment blurred gender boundaries a long time earlier than mainstream conversations about gender fluidity emerged.

A practice of Black tailoring
In a world the place Black self-presentation has lengthy been scrutinised and politicised, tailor-made clothes asserted visibility, authority and artistry. Dandies reworked vogue right into a political declaration of dignity, resistance and artistic energy.
Black American tailoring practices blossomed most visibly within the zoot fits of the Harlem Renaissance, although in addition they had sturdy roots in New Orleans, Chicago and the Caribbean.
As seen within the Sunday Better of the Civil Rights period, Black tailoring walked the road between resistance and celebration: lovely however with clear political intent.
Within the Nineteen Seventies, the Black dandy grew to become extra flamboyant, carrying tight, vibrant garments with daring equipment. He reworked conventional fits with exaggerated shapes, vibrant patterns and plaids impressed by African heritage.
Artists well-liked with a white viewers like Sammy Davis Jr. (1925–90), Miles Davis (1926–91) and James Brown (1933–2006) embraced the aesthetic, contributing to its widespread acceptance.

In the meantime, a brilliant trendy contingent of Black males within the Congo, La Sapeur, refined their look so spectacularly they’d develop into the benchmark of the Black dandy for generations to come back.
The Nineties noticed a brand new period of Black dandyism emerge by luxurious sportswear and hip-hop aesthetics.
Designer Dapper Dan (1944–) revolutionised vogue by remixing luxurious logos into daring, customized streetwear, creating a particular Black aesthetic that bridged hip-hop tradition and excessive vogue.
Musician André 3000 (1975–) redefined menswear by mixing Southern Black model with daring shade, classic tailoring and theatrical aptitude.
At the moment, the custom thrives within the model of influencer Knowledge Kaye, the class of LeBron James, and the risk-taking of Lewis Hamilton.
Dressing for the purple carpet
Tailor-made for You invitations friends to interpret the dandy’s legacy in private, daring and boundary-pushing methods.
Whether or not conforming to custom, subverting expectations or creating one thing completely new, this theme is a celebration of the liberty to decorate – and be – by yourself phrases.
The Black dandy is a determine of defiance and want, of ambiguity and brilliance, of resistance and sweetness. Dandyism blurs boundaries between masculinity and femininity, artifice and authenticity, conformity and revolt. It unsettles mounted identities and displays broader tensions inside trendy life.

Black dandies have shocked, amused, offended, delighted and impressed society since their inception. Within the sharp defiance of Douglass’ Victorian fits, the flamboyant spectacle of Harlem ballrooms, and the logo-laced revolt of Dapper Dan’s streetwear, the Black dandy has regularly pressured the world to reckon with the politics of presence, satisfaction and efficiency.
Regardless of being missed by mainstream vogue historical past, they’ve formed the best way we see class, masculinity and self-expression. This Met Gala and the accompanying exhibition usually are not only a celebration – they’re a long-overdue recognition.
Toby Slade, Affiliate Professor of Vogue, College of Expertise Sydney and Dijanna Mulhearn, PhD Candidate, Faculty of Design. Creator of Crimson Carpet Oscars, College of Expertise Sydney
This text is republished from The Dialog beneath a Artistic Commons license. Learn the authentic article.
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