ONE Musicfest Founder J. Carter Talks Historic Fest

A ONE Musicfest Founder is dishing on curating the nation’s largest Black-owned open-air celebration, bringing music, melanin, and tradition to ATL.

Jason “J” Carter by no means got down to rewrite the blueprint for American music festivals, however when he regarded round within the early 2000s, the Harlem-born, Florida A&M College graduate noticed a void.

“I simply couldn’t discover something fairly like Lollapalooza or Bonnaroo that spoke to my music, my tradition,” Carter instructed BOSSIP. “So I went in search of it, and I noticed it didn’t exist. At that time, I stated, I gotta accomplice with any individual already doing it. They instructed me it could by no means work with our tradition. That lit the hearth to show them fallacious.”

That spark turned ONE Musicfest (OMF), now in its sixteenth 12 months. Offered by P&G and returning to Piedmont Park October 25–26, 2025, OMF is the nation’s largest Black-owned, open-air, multi-stage competition, drawing greater than 100,000 followers yearly and producing over $61 million in financial influence for Atlanta.

Its 2025 lineup contains Future, The Roots with Mary J. Blige, Ludacris & Mates, a Dungeon Household reunion honoring late Organized Noize producer Rico Wade, Jazmine Sullivan, Kehlani, Clipse, and breakout star Doechii.

For Carter, protecting the competition in Atlanta has all the time been non-negotiable.

“This doesn’t transfer, this doesn’t develop, this doesn’t occur exterior of Atlanta,” he defined to Managing Editor Dani Canada. “For the final twenty years, Atlanta has actually been carrying the torch on the subject of city tradition. How we react, reply, and help each other is exclusive right here. If I had tried to construct this in New York or Chicago, I don’t know if it occurs. Atlanta is a really particular breeding floor for cultural innovation.”

Carter credit town’s embrace, from Mayor Andre Dickens to Black-owned distributors who make up greater than half of OMF’s supported companies, for sustaining the competition’s development. However he additionally nods to the resistance he as soon as confronted from business executives.

“A number of the people who instructed me it could by no means work didn’t appear like me,” Carter stated. “They stated a Black or hip-hop music competition was a legal responsibility. In the meantime, billions are made off hip-hop yearly. So for me, it was about placing our tradition on show and letting the world see how stunning it’s. That’s what ONE Musicfest turned: a Kumbaya, Woodstock second for our neighborhood.”

The street from that first gathering to at the moment’s multi-million-dollar enterprise wasn’t clean. Carter describes the unique staff as a “Motley Crue” of mates: a membership proprietor, a safety firm operator, a music insider, even somebody from the mayor’s workplace.

“It was a random band of creatives on the preliminary run,” he laughed. “Over time, you be taught from errors. Some folks develop into everlasting, others rotate. However we knew it was too stunning of a cultural expertise to not proceed.”

Carter’s imaginative and prescient has since expanded into activations that make OMF extra than simply music. From curler skating pop-ups with Marsai Martin to the upcoming “Luda Lounge,” which is able to have fun Ludacris’ 25-year profession with fan meet-and-greets, he sees the competition as a spot the place Black tradition will be honored throughout generations.

“This 12 months’s lineup is well timed,” Carter stated. “After dropping Rico [Wade], celebrating Future, bringing Mary J. Blige for the primary time, spotlighting Doechii — it’s wanted. We’d like moments of pleasure, methods to have fun one another.”

That sense of pleasure and neighborhood, Carter insists, stems immediately from his years at Florida A&M.

“I’ll give Atlanta credit score for what ONE Musicfest is at the moment, but it surely 1,000 % stems from FAMU,” he stated. “There’s nothing like an HBCU expertise, having the possibility to stay as a majority as an alternative of a minority. It’s confidence, it’s a battery in your again. FAMU created a protected house to fail, to be constructed again up, and to push ahead.”

That bond amongst Rattlers is unshakable; typically even misunderstood.

“Individuals say FAMU is sort of a cult,” Carter joked to BOSSIP when requested if the cult rumors are true. “It’s probably not a cult. It’s extra like household. Everyone’s cool till they’re not, and that vitality is what makes it really feel so heat and welcoming.”

For Carter, FAMU homecoming — like ONE Musicfest — is greatest described as “a giant Black hug.”

“It’s generational, excessive vitality, nostalgic however all the time contemporary,” he stated. “Tens of 1000’s of individuals bringing good vitality into one house. That’s precisely what we attempt to recreate with ONE Musicfest.”

Together with his combine of brand name experience, cultural reverence, and relentless Rattler delight, Carter has constructed a motion and ATL cultural mainstay and as OMF prepares for one more landmark 12 months, Carter’s mission stays clear;

“Uniting legends, elevating new voices, and creating unforgettable cultural moments.”

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