Greta Lee’s profession has been outlined by versatility, from her nuanced efficiency within the Oscar-nominated Previous Lives to her comedic timing in Russian Doll. However with Tron: Ares, the third movie in Disney’s neon-soaked sci-fi franchise, Greta Lee steps into fully new territory: a visible effects-heavy blockbuster that calls for each emotional grounding and technical precision. As Eve Kim, the visionary CEO of ENCOM and an excellent programmer chasing the elusive “Permanence Code,” Lee carries a lot of the movie’s coronary heart whereas navigating the spectacle of the digital frontier.
Making ready for a job of this magnitude was no small feat. In a latest interview with BGN, Lee revealed that she leaned on the recommendation of trusted friends within the business — notably Academy Award winner Brie Larson and The Acolyte showrunner Leslye Headland. Each ladies introduced their distinctive experience to the desk, providing Lee steerage on the way to adapt her craft to the technical challenges of a movie like Tron: Ares.
Larson, who herself has navigated the calls for of Marvel’s Captain Marvel and different blockbuster initiatives, shared tips on working in CGI-driven environments. Lee described their trade as “life-changing,” as Larson helped demystify the bodily and psychological preparation required when appearing with little greater than inexperienced screens, movement seize setups, and markers as stand-ins for different characters or objects. Larson’s insights underscored the significance of grounding efficiency in creativeness and precision, even when the actor’s environment really feel summary or stripped down.
Equally invaluable was Headland’s perspective. Because the creator and showrunner of The Acolyte, a Star Wars collection steeped in world-building and technical spectacle, Headland is aware of firsthand the steadiness between character-driven storytelling and the logistical realities of visible results. For Lee, Headland’s recommendation bolstered the concept that at its core, the work is at all times about returning to fundamentals — emotional fact, intention, and self-discipline — whatever the dimension of the canvas. Headland inspired Lee to method Tron: Ares with the identical integrity she brings to extra intimate initiatives, reminding her that the guts of appearing doesn’t change, even when the instruments do.
Lee admitted that she had by no means acted in such a VFX-intensive manufacturing earlier than, describing it as “goal apply,” the place she had solely seconds to execute exact, technical beats towards tennis balls or items of tape standing in for futuristic equipment and digital characters. Removed from being overwhelmed, she embraced the problem, calling the method “enjoyable” and transformative. She famous that what she realized on Tron: Ares is one thing she’ll carry ahead into future initiatives.
What emerges from Lee’s reflections is a portrait of an artist unafraid to develop, experiment, and be taught from her friends. With Larson providing sensible knowledge from her Marvel expertise, and Headland grounding her in fundamentals honed on Star Wars, Lee has bridged her indie roots with blockbuster calls for. As Eve Kim in Tron: Ares, she not solely anchors the narrative but additionally represents a brand new part of her profession — one the place technical mastery and emotional depth intersect.
Tron: Ares premieres in theaters October tenth
