Ben and I’ve an annual ritual. For the final half decade, round this time of 12 months, we run to the shop, swiftly unbox the newest iPhone and get capturing. We do that as a result of we’re keen about discovering out all the things there’s to know in regards to the new digicam — not simply to ensure issues work properly with Halide, but in addition as a result of no different digicam has as many adjustments 12 months over 12 months.
A byproduct of this ritual? A fairly thorough iPhone evaluate.

When you’ve learn our opinions earlier than, you recognize we do issues totally different. They’re not a fast take or a broad take a look at the iPhone. As a photographer, I prefer to deal with reviewing the iPhone 16 Professional as if it have been purely a digicam. So I set off as soon as extra to go on a visit, taking tons of images and movies, to see the way it held up.
For the primary “Desert Titanium” iPhone, I headed to the desert. Let’s dive in and see what’s new.
What’s New
Design
As a designer from an period when home windows sported brush steel surfaces, it comes as no shock I really like the end of this 12 months’s mannequin. The place the titanium on the iPhone 15 Professional was brushed on the aspect rails, this 12 months options extra radiant, brushless end that comes from a distinct course of.
It’s significantly good on the Desert Titanium, which may be described extra like “Sequoia Forest Bronze”:

The entrance options the now-standard Dynamic Island and slimmer bezels. The rear packs the acquainted Professional digicam array launched approach again in iPhone 11 Professional.

Its much less skilled sibling, iPhone 16, includes a distinctive coloured glass course of distinctive to Apple. This 12 months’s vibrant colours really feel like a response to final 12 months’s muted tones. I have not seen this course of copied wherever else, and it is starting to earn its rank because the signature model of the iPhone. The ultramarine (learn: “blue”) iPhone 16 is attractive, and must be seen in actual life. I went with the colour Apple calls “teal,” however I might describe it extra as “vivid Agave.”

The sensor array on the 16 non-Professional has returned to the stacked design of the iPhone X. The motivation behind the change could also be technical— higher assist for Spatial video— however from an aesthetic perspective, I additionally merely favor the vertical association.

Whereas lovely to have a look at, that’s additionally about all I’ll say about iPhone 16. Whereas a much less colourful, it’s the iPhone Professional line that has at all times been Apple’s digicam flagship, so that is the one we’ll dive into.
Inside iPhone 16 Professional
A New 48 Megapixel Extremely Huge
Essentially the most upgraded digicam is the ultra-wide digicam, now 48 megapixels, a 4x decision enchancment from final 12 months. The ultra-wide reveals spectacular sharpness, even at this increased decision.

At 13mm, the ultra-wide stays an apt title. It is so broad that you must watch out to remain out of body. Nevertheless, it does permit for some unimaginable views:


On the similar time, mood your expectations. Whereas the iPhone 14 Professional launched a 48 MP sensor for its primary digicam, they virtually doubled the bodily dimension of the sensor in comparison with the iPhone 13 Professional. This 12 months, the ultra-wide is identical bodily dimension, however they crammed in additional photo-sites. In excellent lighting, you’ll be able to inform the distinction. In low-light, the anticipated noise discount will end result within the some smudgier pictures you’d additionally get from the 15 Professional.


In the identical time and place, the ultra-wide fails to match the element of the principle digicam
One very compelling bonus of the 48 MP improve is that you simply get greater than for the high-resolution pictures. It does wonders for macro pictures.
For the reason that iPhone 13 Professional, the ultra-wide digicam on iPhone has had the smallest focus distance of any iPhone. This allow you to get ridiculously near topics.

The issue was that… it was an ultra-wide lens. The shot above is a good crop of a really broad body. When you needed an in depth up shot like that, you ended up with quite a lot of additional stuff in your shot which you’d in the end crop-out.

Previously, that meant a middle crop of your 12 MP extremely broad picture would get cropped right down to a 3 MP picture. In Halide, we labored round this with the assistance of machine studying, to intelligently upscale the picture.
With 48MP of picture nevertheless, a middle crop delivers a real 12 MP picture. It makes for Macro pictures which can be on one other degree.


‘Typical’ macro (left) vs. Tremendous Macro on Halide with a 2× optical zoom on iPhone 16 Professional
Fusion Vitality
Right here’s the principle meat – the digicam most individuals shoot virtually all their pictures on. iPhone 16 Professional’s 48 megapixel primary digicam sensor.
iPhone 16 Professional packs a brand new 24mm primary digicam, they now dub the Fusion digicam. It’s a new sensor, the ’second technology’ of their 48MP shooter launched in iPhone 14 Professional. iPhone 16 can also be listed as having a ‘Fusion’ digicam — however they’re, in truth, very totally different cameras, with the iPhone 16 Professional getting a a lot bigger and better high quality sensor.

‘Fusion’ refers back to the myriad of the way Apple is implementing computational magic that produces prime quality pictures. When you have been to zoom in on the microscopic construction of the sensor, you’ll see that each pixel is made up of 4 ‘photosites’ — tiny sensor areas that accumulate inexperienced, crimson, or blue mild.
When iPhone 14 Professional quadrupled its decision, Apple opted for a ‘Quad Bayer’ association, dividing every picture web site into 4, slightly than a denser ‘common’ association. There’s an enormous advantage of this association: the sensor can mix all these adjoining websites to behave like single, bigger pixels — so you’ll be able to shoot higher-quality 12MP pictures. This was already employed in video and Evening mode.

The ‘Fusion’ workflow is basically utilizing the 48 megapixels value of information and the 12 megapixel mode to mix into nice 24 megapixel decision pictures. I feel that is good. I firmly consider most individuals don’t profit from big 48 megapixel images for on a regular basis snaps, and it appears Apple agrees. A really Apple resolution to make use of extra megapixels however intelligently mix them to get a greater consequence for the typical consumer.


Is processing very totally different from final 12 months? No, probably not. It was nice, and it’s nonetheless nice. Whereas there’s barely extra processing occurring, I discovered it tough to identify a distinction between iPhone 15 Professional and iPhone 16 Professional captures. The sensor is identical bodily dimension as final 12 months’s iPhone 15 Professional / Professional Max, and nonetheless has pleasant quantities of depth of subject because of this.

The bigger the sensor, the nicer that is, and it actually renders fantastically — particularly in its secondary telephoto lens mode.
Telephoto: 5× and Fusion at Work
The telephoto digicam is a defining attribute of the Professional line of iPhones. Final 12 months solely the 15 Professional Max featured the 5× ‘tetraprism’ lens. This 12 months it is commonplace throughout the Professional line, and I am blissful I’ve the choice of going smaller this 12 months.

That mentioned, I am an enormous fan of the outgoing 3× lens. It was dang close to good for me. Now, each focal size between 1× and 5× is bridge with the 48 MP primary digicam, and it is a bit controversial. Due to its quad-bayer configuration, there’s been a query as as to whether the 48 megapixel on the principle sensor is actually 48 MP, because it must do a bit extra guesswork to get better particulars.
Effectively, evaluating a 12 MP crop on the sensor to a “actual” 12 MP picture shot on iPhone 12 Professional, I most well-liked my ‘digital’ output on the 16 Professional.
I am going to admit that years in the past I used to be a skeptic. I like my lenses optical and tangible, and it feels improper to crop in. Effectively, this previous 12 months, I have been sporting the iPhone 15 Professional Max with its 5× zoom, so I discovered myself utilizing the imaginary 2× lens far more to bridge the hole between focal lengths.


The distinction between 1× and a couple of× is greater than only a nearer look — a change in focal size like this helps make the background proportionally bigger
Due to wider aperture on the Fusion digicam, the digital 2× produces higher outcomes than the bodily 2× of the previous. I actually prefer it. I now not need Apple to deliver again the bodily 2×. Give me a fair bigger, higher Fusion digicam.
As for the 5×, after a 12 months of real-world use on the 15 Professional, I do not wish to lose that attain. It’s like having a set of binoculars, and superb for wildlife, landscapes, or simply inspecting issues far-off.
On a inventive degree, the 5× is usually a tough focal size to grasp. Whereas the ultra-wide digicam captures all the things, supplying you with latitude to reframe pictures in enhancing, the 5× forces you to border your shot proper there. Photographers typically say, “zoom together with your ft,” which implies taking just a few steps again out of your topic to make use of these longer lens. This requires a bit extra work than simply cropping in publish, however the outcomes are value it.
At evening, the telephoto digicam suffers as the one remaining 12 MP sensor and narrower subject of view that allows much less mild. I’d be appreciative of a bigger or 48 MP sensor sooner or later, not for the added decision, however to cut back noise via binning. What this digicam wants greater than something is extra mild — it might be transformative, and I hope Apple takes issues on this course sooner or later.

For portraits, which normally occurs in a extra managed lighting surroundings, the 5× telephoto additionally really shines. It’s an ideal lens, and we’re all higher for having it on all of the iPhones Professional.
Evening Images
With the solar setting, I seen the newest show made an enormous distinction. With a display screen that goes down to at least one nit, I discovered it very nice when capturing out at midnight.

Inside evening mode, the HDR now permits a bigger vary dynamic vary to be captured. Nevertheless, it was nonetheless a irritating dance at instances to get precisely what I needed out of the publicity, with some exposures over-done, and inconsistent publicity instances. The truth is, I loved capturing on the iPhone 16 Professional outdoors of evening mode, because it gave me darker, contrasty pictures.



Whereas Evening Mode stays extremely spectacular, and the intelligence produces strong outcomes with out pondering — however at instances it might nonetheless be irritating to get precisely what I would like. I want there have been an API for apps like Halide to dial in handbook settings.
(If anybody at Apple reads this, we filed request FB11689438.)
Beneath the Hood
When you have been to deal with this as a evaluate of the iPhone as a digicam, there’s truly extra to speak about than the cameras. It is a distinctive 12 months, as a result of the iPhone 16 Professional packs enhancements that transcend the cameras — concerning each a part of the pictures and videography workflow. In my testing, USB switch speeds have been quicker than my iPhone 15 Professional. On the wi-fi entrance, Wifi 7 provide as much as 46 Gbps, in concept.
The brand new modem in right here has given me simply my finest mobile obtain speeds — in additional locations. I pulled down a 450 MB offline map of the Mojave Desert in Joshua Tree in lower than a minute.

On the wi-fi energy entrance, I seen a lot quicker wi-fi cost speeds with a brand new MagSafe cable, and in addition when plugged in. All these issues add as much as minutes to hours to days saved on the job.
Thermals are a make or break side of an iPhone, particularly now that it shoots computational intensive video like Apple Log with ProRes. I examined by capturing 4k at 120 FPS for a bit, and located it significantly much less scorching than the 15 Professional underneath related demand. The truth is, I by no means obtained it to overheat!
Common customers will admire these high quality of life enhancements, and Professionals will admire the way it lets them push these units additional than ever earlier than.

Digging deeper into the digicam subsystems, the brand new “Apple Digicam Interface” internals permit for quicker sensor readout instances. This improves options like QuickTake (not that Quicktake), that characteristic that allow you to shortly take movies by holding the digicam button.
Beforehand, it wasn’t doable to shortly reconfigure the digicam system for high-quality video. It appeared on par together with your viewfinder’s video feed, which is not as prime quality as while you recorded from the digicam’s video mode. On iPhone 16 Professional, QuickTake has much better processing — Dolby Imaginative and prescient HDR, 4k decision, the works. It is noticeable.
Burst ProRAW 48MP seize efficiency can also be a lot quicker. When completely mashing the shutter, 48MP ProRAW body fee clocked in at 2× the iPhone 15 Professional’s velocity. That is excellent news, however does not resolve the tradeoff that comes with ProRAW recordsdata — the lag. Apple talked about ‘Zero Shutter Lag’ within the keynote, and that’s precisely what that’s about.

When an iPhone captures a ProRAW picture, there is a two step course of. First, the iPhone captures a burst of images, after which it merges these images along with the assistance of subtle computational pictures algorithms. The iPhone 16 is quicker at step one, grabbing supply images. It nonetheless takes a number of seconds to course of the ensuing shot, however if you happen to faucet the shutter button the digicam will now take a photograph virtually instantaneously — the place there was a really actual delay earlier than.
The development is big in apply. In whole, the iPhone 16 Professional beat the iPhone 15 Professional by wherever from 400 to 900 milliseconds. A whole lot of milliseconds matter within the second, and will imply the distinction between getting the shot or lacking it utterly. It is a large enchancment and an enormous achievement, technologically.
Software program
Whereas {hardware} was upgraded, iPhones 16 additionally include iOS 18 — an enormous replace that touches on each single a part of the pictures expertise. We can’t contact on Apple Intelligence or Clear Up, which will not be prepared till subsequent month, however there’s nonetheless lots to speak about with iOS 18.0.
Seize overhaul
You possibly can lastly open digicam apps from the Lock Display, which is the only greatest characteristic request we have had from Halide customers. Previously, we needed to make do providing widgets you can load in your Lock Display, however actual Lock Display assist goes approach past that, letting you seize images with out unlocking your machine.

Except for a number of adjustments within the digicam app like having the ability to pause recordings and maintain music enjoying whilst you report, there’s an elephant within the room… Images.
This 12 months, Images obtained greatest overhaul for the reason that first iPhone, and the outcomes are subjective. For me, it’s been difficult to adapt — however I do consider of their mission. Images’ elementary interface has not modified in 16 years, and I do suppose has to evolve. For many, it’d actually work higher. Its added customizability is a step ahead, and matches into the theme of supplying you with higher management.
Taking pictures in Model(s)
Which brings us to Photographic Types, which have additionally been overhauled. Once they have been launched within the iPhone 13 Professional they have been easy filters. You would decide from a heat look, a extra contrasty look, perhaps a extra cool look, however the outcomes have been all pre-canned.
Now contemplate this salt flat. You may wish to deliver out the coolness of the dawn and actually make {that a} vivid blue in distinction to the sky above:

But when I apply a easy filter, it might apply the look to each pores and skin colour and the sky equally. Blue pores and skin does not work outdoors James Cameron films. These new Photographic Types can goal undertones, the best way the filter impacts pores and skin tones in your pictures, making issues really feel extra pure.
These filters are named after moods, reminiscent of “Dramatic” or “Quiet.” You possibly can superb tune them with a two dimensional pad. There’s additionally a slider to regulate the colour palette.
Possibly it’s simply me, however I discovered the UI a bit bewildering at first, so I drew this legend for example.

Your changes get wiped after some time, although, if not configured to persist.

Previously, I averted photographic types, as a result of they have been damaging; if I went with a black and white model, I might lose all the colour data. The good change to photographic types this 12 months is that they are “perceptually non-destructive.” It’s best to be capable of reverse the results of the model, later.

It handed my check — it labored nice for me. This even survives an AirDrop to your good friend — they’ll undo or edit the Model when the metadata stays intact.
The added management in Images additionally means that you can tune down the “HDR look,” one of many extra polarizing aesthetics of iPhone images. Nevertheless, Images does not scale back sharpening, noise discount, and subject-based changes. They nonetheless give your images a “Shot on iPhone” look, whether or not or not that is your cup of tea. For deliberate pictures, I am sticking to RAW. For fast snapshots I will be capturing in a customized Rose Gold Model.
Video and Audio
iPhone 16 Professional brings 4K 120fps video, together with ProRes Log (!). It is an enormous improve, and the improved controls in Images to regulate playback velocity are a welcome change too. 4K 120fps video may be recorded in HDR / SDR and with full processing (Slo-mo video makes use of a visibly decrease high quality course of), whereas ProRes can solely be captured utilizing an exterior SSD. I really like the ’new Apple’ that’s transport options like this clearly aimed on the professionals; I don’t see many individuals capturing iPhones with an SSD hooked up, however for people who do, this can be a implausible enchancment on what has already confirmed to be the very best cellphone to seize video on.
With Log and ACES, pictures from iPhone merely match into a pleasant workflow and may slip in undetected as deep depth of subject B-roll no downside:

I’m not a tremendously big consumer of iPhone mics, however each iPhones (iPhone 16 and iPhone 16 Professional) get an improved 4-mic array that assist a brand new Audio Combine characteristic. It enables you to filter out background noise or re-render your audio recording because it if was in a studio or mastered extra cinematically.
iPhone 16 Professional can seize Spatial Audio alongside together with your Spatial Video, and does this computational audio processing a bit higher than its novice sibling. It’s very spectacular, and is usually a big profit if you end up and not using a mic — which for most individuals might be most conditions!
A minor enchancment I might counsel to make this handy to us is to permit us to run 4-mic audio seize periods throughout recordings that use an exterior microphone. The peace of thoughts of getting a usable backup recording with Audio Combine can be super.
Digicam Management
Okay, right here’s the actually huge deal. One thing solely new in your iPhone.
Over the lifetime of the iPhone, buttons its buttons have both remained the identical, developed, or vanished. Right here’s the unique iPhone: residence, energy, quantity down, quantity up, and a ringer swap.

The very first thing to vary was the house button. It grew to become a fingerprint sensor and was now not truly clicking down. With iPhone X, it was lastly put out to pasture: a full display screen cellphone didn’t want a house button. A system of gestures labored a lot better, and Face ID eliminated the necessity to scan your finger to unlock.
After that, issues stayed the identical up till final 12 months, when the ringer swap grew to become an motion button. That’s evolution on par with the house button. The one factor to date has been evolution or discount.
The addition of a brand new management, then, is a large deal. I really feel like everyone seems to be being pretty informal about this, when Apple is very targeted on lowering issues right down to the naked necessities. This exhibiting up on the surface of your iPhone means Apple views it as important.
How is in precise use? To me, crucial half about controls on a digicam is that they grow to be an extensions of you. You may get it in your fingers, and use it blindly. You already know what a press or swipe units. Digicam Management delivers on this on some fronts, and never on others.
On the core of the Digicam Management expertise, there’s a number of elementary interactions: one is to open your digicam — really, yours; it may be any digicam app — and the opposite is to work together with it.
The Button
The primary was one thing I had really underrated after I noticed the announcement. What caught eyes and headlines in regards to the Management is the best way you’ll be able to half press and swipe on it; in any case, we’ve had digicam buttons on telephones earlier than. Once I obtained my first iPhone, my then-girlfriend was deep into fancy Nokias — her Nokia N95 had a digicam button (and quite a lot of different ones, too). Nothing new right here. Or is there?
I discovered myself grabbing my ‘previous’ iPhone 15 Professional after simply days of utilizing the 16 Professional and pointlessly mashing the aspect of the cellphone instinctively after I went to take a shot. The Digicam Management (don’t name it a button!) is flush together with your iPhone; it doesn’t detract from the common, acquainted iPhone hand really feel. However it should change the best way you work together with all of it the identical.
Take a beat proper now if you’re studying this in your cellphone. Think about a sudden flash of sunshine causes a stunning rainbow to seem straight away outdoors your window. Shut your eyes. What routine do you must shortly open your digicam?
I had one. All of us have some type of routine, and after years of iPhone use, it’s fairly laborious wired. It’d take you a while to override this on iPhone 16 Professional, however when you do, it’s a lot, a lot quicker. You simply press that button. Locked? Press the button. Studying within the Information app? Press the button.
Once I reflexively went to do it on my older iPhone, the cellphone felt damaged — as if you happen to’d press the aspect button and the display screen didn’t mild up. I feel we’ll see this digicam opening button on many if not all Android telephones very quickly. It simply turns into routine so quick, and as soon as this will get in your muscle reminiscence it’s extraordinarily irritating when it’s not there. You miss a shot. Due to that silly button-less cellphone.
When Apple provides one thing like this, it tends to be only a bit extra thought out than a brand new button that takes a photograph — not a factor tacked on as a fast shiny factor to entice patrons. Considerate particulars are abound with the digicam triggering press: in your pocket, iPhone gained’t open the digicam if you happen to press it by chance, as was so splendidly examined in Faruk’s evaluate:

John Gruber wrote a wonderful a part of his evaluate going into extra into element on what makes it behave the best way it does. Myself, discovered all this ‘sensible’ conduct strong — I have not ended up with any errant snaps.
Let’s speak about the remainder of this management, although — what’s beneath the Sapphire floor.
The Changes
This button may be half-pressed, which is to say, not pressed totally. A lightweight press on the button whereas Digicam is open opens an Adjustment menu. Swiping on the management itself enables you to dial the chosen setting. The settings are (sequentially): Publicity, Depth, Zoom, Cameras, Model, and Tone.
By default, it behaves as a zoom dial. The dial ’snaps’ to the native focal lengths of every lens pretty aggressively, which is an efficient factor as a result of a swipe on the Management has momentum if you happen to swipe and let go. For exact adjustment, holding your finger on the Management will permit fairly fine-grained dialing-in with minimal finger actions. I’m impressed with its precision.

Regardless, if you’re like me and contemplate zooming not more than cropping your shot, Apple has a ‘Cameras’ Adjustment that’s by far my favourite approach to make use of it. The Adjustment has all 4 ‘lenses’ in a row — from 0.5× on the far finish to 1×, 2× and at last the 5× telephoto on the different. The result’s a fast, pleasing approach to cycle via your framing choices with a satisfying degree of precision — and delivers a tremendous interplay iPhone cameras have by no means had.
The Cameras adjustment can be utilized… blindly. This may increasingly sounds weird on the face of it — why would you wish to function the digicam with out seeing it on a smartphone? Effectively — recall that reflexive habit-forming I described of opening your digicam with out it by urgent the Management? The identical applies right here. Not solely can I open it, however I can swipe and really feel the haptic click on or being on the ultra-wide or telephoto and lift my digicam to take my shot.
You will see photographers take a look at a shot and have a hand on their lens, snapping to a setting after which elevating it to their eyes to shoot. It is important. With this, I can maintain my cellphone in an ungainly place with little visibility and shoot via one of many lenses with out seeing the display screen. I ended up utilizing this so much. It’s actually laborious to place into phrases, however it turns into one thing in your fingers; a extremely tactile digicam expertise that’s extra of an extension of you. It’s so good. It’s identical to utilizing a digicam lens.
That brings me to the not so good half: the Cameras adjustment expertise is so good, built-in and good that it makes the relaxation of the changes really feel much less nice.
Apple has efficiently saved quite a lot of its Digicam app paradigms rooted in conventional ideas of pictures. Portrait mode options f-stops for its depth impact; lenses are described in full-frame equal focal lengths. These items issues: it exposes customers, even informal ones, to the basics of pictures. By way of the most well-liked digicam, everybody continues to be educated about these items and may study what they imply in a really hands-on method.
Digicam Management affords a lot of choices, and in doing so, I really feel just like the Digicam Management considerably breaks out of your conventional expectation of what a ‘dial’ on a digicam does. Dials do one factor. This does many. In doing so, departs from a digicam conference whose simplicity is appreciated by amateurs and professionals alike.
In my excellent setup, Digicam Management merely has one, probably mode-dependent, adjustment. Ideally, it has a logical and predictable begin and finish (‘opening up’ an aperture may be finished with out wanting on the lens — an identical factor goes for the zoom vary). Simplicity may be its flexibility: ideally, it’s so predictable and relevant to the digicam job at hand that it really works even if you happen to can’t see an on-screen interface. Having a “double mild press” and navigating a form of mini-meta-menu system simply finally ends up feeling type of clunky and odd.
It finally ends up packing quite a lot of on-screen interface, and that may additionally get in the best way: If I launch into the Digicam, swipe shortly to get to the extremely broad, then maintain my finger on it to be able to shoot, the Digicam Management retains hovering over my body.
In all, I feel the relative plethora of Changes makes it really feel clumsier and fewer modern and snappy than it could possibly be. Given its mushy haptic suggestions and lots of choices, it might appear a bit overwhelming even to extra photographically savvy customers. These extra conspiratorially minded may assume Apple added extra options right here to compensate for the iPhone having fewer at launch; I actually suppose it’s only a commendable first try and do one thing new.
Focus
For us as builders, it’s an attention-grabbing new factor. It appears, for now, uniquely catered to us: not solely are you able to set the Digicam Management to open any (digicam) app like Halide, you too can create your personal Changes. The API permits us to choose a system icon and use a fundamental picker — no customized interface — to tie into options of our personal app.
It was tempting to only rush into this and have one thing on day one, however we actually needed to expertise the Digicam Management and units for some time to see how it might work in our approach. We love to do issues a sure, opinionated, targeted approach. And that’s precisely what we did: Digicam Management in Halide affords 2 Changes: EV, to regulate publicity, and Focus, on the finish of the size.

Very like Cameras, a handbook focus adjustment means that you can shortly focus one thing as shut as doable with out wanting on the cellphone. Adjustment for publicity lives within the center, with a bit extra latitude than the system (we go as much as -/+ 6 EV, vs. 2) — and the highest one is like the center of your gearbox: “Lock”. Leaving a easy locked adjustment on the prime degree means Halide doesn’t undergo from any unintentional triggers in case you’ve gotten delicate changes.
On The Nature Of Shutters
There’s an invisible side to Digicam Management I wish to contact on earlier than we transfer on. I seen it’s also deeply built-in right into a low-level enchancment I discussed earlier than — and to grasp that, you must take a look at how cameras take images.
Strive urgent a shutter button on a daily digicam. Movie or digital — it should make a fast click on. The second the button reaches the underside of its throw is when a digicam takes a photograph.
iPhone 16s don’t do this. The truth is, they can’t do this. What do I imply by ’that’? Taking a photograph as quickly as you press down. They take a photograph while you launch the button. That is one thing we labored laborious to keep away from in Halide: while you press the shutter, you need the smallest doable delay; a shutter ought to fireplace when the shutter is triggered, not upon launch.
However the Digicam Management may be long-pressed to take a video. How, then, do you continue to seize what you see in your display screen? Therein lies the sensible a part of this digicam — utilizing the aforementioned Zero Shutter Lag, it might offset the ’slowness’ of the button by grabbing a photograph in its buffer. It’s outstanding, and works nice for getting a gentle shot regardless of your press, and regardless of any delay from elevating your finger.
The Lengthy Sport
I’m clearly enthusiastic about what the Digicam Management brings to the iPhone. It’s an enormous change, however it’s straightforward to overlook the lengthy view right here.
There’s a motive this isn’t on simply Professional telephones like a telephoto. Apple is aware of one thing about cameras, and that’s that they’ll imply one thing very totally different within the years and possibly a long time and past to come back.
As our units grow to be our clever companions, cameras are their most necessary sensors. Their eyes to the world — and accessing the toggle to allow them to see and interacting with the world is strictly what this management is about. Whereas I really feel tremendously catered to, I do suppose the lengthy view right here isn’t to make use of this as an aperture ring or a spotlight dial — it’s a button and aperture for the intelligence inside your machine.
Processing
And that brings us to the intelligence that does dwell on this machine and controls how each picture comes out: Apple’s clever picture processing.
Picture processing has been a scorching subject of this evaluate for some time now, and this technology is not any totally different. It is one thing quite a lot of opinions of the iPhone 16 truly have already got talked about in various methods.
This is the factor that gained’t change, evaluate after evaluate: an iPhone is simply higher at being a pc than a digicam. That’s the truth of it. In case you have a big digicam with an enormous lens and an enormous sensor, it might collect much more mild. That is simply physics.In case you have a small digicam and a small sensor, you are going to should make up for it someway. The best way the iPhone makes up for it’s by being a greater pc than a digicam. All this computational magic that it does, merging a dozen frames into one, provides it nice dynamic vary. It lets it take images at evening. It does magic — stuff a small digicam shouldn’t be capable of pull off.
It is truthfully invisible and implausible when it really works. However when it does not, and it does one thing surprising, it isn’t nice. Is that totally different this 12 months?
Briefly: if you happen to have been a fan of the iPhone 15 Professional’s processing, you’ll get pleasure from what iPhone 16 Professional is providing up this 12 months. And if you happen to didn’t, there’s now a genuinely helpful and mostly-lossless approach to get pictures wanting very totally different than the previous years’ iPhones with out enhancing them.
I feel there’s individuals at Apple that most likely need the iPhone digicam to have a extra opinionated ‘look’ — however at this level, a billion individuals use it. It’s an everlasting steadiness of being a device for creatives and the most well-liked device in human’s arms to seize the world round them because it exists. Not a straightforward job.
That being mentioned: I feel Apple ought to put virtually all of its effort into reaching the seemingly-impossible: a noise discount methodology that appears extra pure than AI ‘making up’ particulars, or watercolor smudging. If anybody could make grain a logo of photographic craft and authenticity, even out of a digital digicam, it’s Apple. I nonetheless get pictures from iPhone the place it should undergo super lengths to stop me from having a loud shot. I can see that extracting element from the noise is tough; however the ensuing picture simply seems odd.

Folks add again noise into pictures like these typically, because it seems extra pure to our eye than the graceful darkish rocks. That is the pure noise from the sensor — a bit an excessive amount of for the typical consumer, however a bit extra pleasing to me.
If there’s one theme to iPhone’s strategy to pictures this 12 months, it’s extra management — and which may apply to the Digicam Management, and Photographic Types, however it stays slightly processed whether or not you prefer it or not. My recommendation?
Begin to settle for that extremely processed pictures are right here to remain.
As know-how marches on, we’re utilizing cameras that assist us obtain higher outcomes than the physics would even assist — however in doing so, some degree of inventive management is misplaced. And whereas we’ve instruments, like our Course of Zero, to attain what I might name ‘quaint pictures’ — We aren’t positive if that can even survive via the lengthy future.
As we attempt for ever thinner units, folding telephones and the tech we see in science fiction, processing is the one factor that allow cameras to work within the growing constraints on energy and dimension they’ve to suit into.
Even in your new iPhone, digicam high quality isn’t solely quantified by sharpness of a lens or rendering of a single picture anymore. The definition of colour and sharpness have given approach to pictures reborn as knowledge science. Your digicam gathers sign — and in that sign is noise. The extra sign it might purchase, the higher. It could actually deal with the aberrations, it might deal with the noise with additional processing — so long as it might maximize its mild enter. In native uncooked captures, we see extra colour fringing than years in the past; it’s simply very properly processed out of your shot. Lenses get ‘worse’ — however the images get higher.
That’s why I’m right here to let you know to not be optimistic about our cellphone cameras going in the direction of much less processing. Cameras are being optimized for the long run, the place pictures depends more and more on magic — and it at this time’s processing will appear quaint. Issues in a decade will likely be very totally different than what it’s at this time.
iPhone SE (Spatial Version)
I’ve talked so much about pictures and video altering, however if you happen to’ll humor me for only one extra second, I’ll speak about one change that excites me. Apple’s push into Spatial picture and video won’t be for everybody, however its existence helps a chicken-and-egg downside in an rising medium that has moved extra individuals near me to tears than I can recall.

Spatial media — that’s, images and movies shot in 3D so that you can relive on a tool like Apple Imaginative and prescient Professional — continues to be nascent.
There’s numerous instruments for capturing immerse and spatial video and audio, but when that is the primary iPhone constructed for the bottom up for AI, it’s equally truthful to say it’s the primary one constructed from the bottom up for Spatial Seize.
That excites me, not as a result of I’m an avid lover or client of it, however as a result of it’s a real new type of media arts that doesn’t contain boiling a lake to generate a picture of an astronaut driving a cat. I really like that Apple’s working laborious to make instruments, no matter demand. The one approach we will expertise superb artwork is that if we invent the instruments to make it, first.
Verdict: A Digicam That Provides One thing
iPhone 16 Professional, together with iPhone 15 Professional and 14 Professional, are all what I might name a ’seismic’ digicam launch for Professionals: the sort that has such vital adjustments that you wouldn’t contemplate it an incremental transfer however one which makes it virtually inconceivable to return.
iPhone 14 Professional introduced us a big, attractive 48MP primary cameras.
iPhone 15 Professional ProRes Log.
And now, iPhone 16 Professional brings Zero Shutter Lag and Digicam Management.
If you would like a fast verdict: the iPhone 16 Professional is an amazing digicam as a result of between Digicam Management, Zero Shutter Lag and its superior Photographic Types, it should seize extra moments than any iPhone ever did by an enormous margin — and that in itself makes me advocate it over any earlier one.
That being mentioned, there’s a bigger feeling I’m left with after reviewing this machine in my arms.
As I really feel myself getting older, I maintain on to the concept of what I feel a ‘digicam’ or ‘pictures’ is increasingly more. The identical occurred with cellphones. Folks used to ridicule that your phone had a digicam on it. Little doubt there have been purists that mentioned, “properly, in my day, this was a factor you took cellphone calls on. Not a pc in your pocket.”
Right here I’m: in my day, a digicam was a factor you took images on. Not a pc mind’s eyes to the world. Maybe I’m feeling this can be a huge change as a result of presumably, that is the near the final of its form or the hyperlink in evolution: an iPhone that has lengthy since redefined what a cellphone is, however is about to redefine what a digicam is, and what pictures means.
Recall the introduction of the iPhone as a cellphone, an web communicator, and an iPod. Notably missing? The digicam.
This iPhone is a digicam. Possibly the primary, if you happen to have been to outline a digicam as a tool that has devoted management for it.

It was in a spot like this the place one in all Steve Jobs’ best inspirations as soon as stood and imagined a revolution in pictures that shocked the world. He imagined one thing easy: As a substitute of getting to rent a photographer with a digicam, who would deliver movie to a lab or go right into a darkroom to current the shot days later, he imagined a small, elegant steel rectangle that match into your pocket.
You would merely take it out, slide your finger on its floor to regulate your shot, and take the picture. The true magic? You’d take it and see it; no have to develop any movie. Prompt gratification.
That man was Edwin Land. He envisioned one thing most thought of inconceivable: the Polaroid SX-70. It modified pictures without end. It appears futuristic at this time. And guess what? The one controls on that digicam have been a button… and one slider, proper right here on the prime.

Land didn’t create this as a result of he was obsessive about know-how. He needed to strip away the issues of pictures and make it accessible. To deal with the craft, and artwork and fewer about worrying about know-how or method. To really deliver it to its essence: empowering anybody to seize a second. Absolutely, some lamented the lack of craft. The lack of important components of pictures.
Maybe it was the digicam cellphone that was the subsequent step that actually made pictures much more accessible and prompt. However many really feel like one thing was misplaced. It’s telling, then, that the place Land eliminated so many components of the digicam, Apple is including one.
Apple including the a brand new management – a button, a dial – to iPhone isn’t a transfer it does casually. It’s an admission of a elementary change of iPhone’s nature that occurred over time. An admission that iPhones are far much less telephones at this time, and much more cameras.
However as a photographer, keep in mind that ‘digicam’ may actually imply one thing solely totally different than what we’re used to — telephones as soon as made cellphone calls. In the present day, cameras take images. Sooner or later? Maybe that is far more a lens to see and course of the world with. A digicam, as it’s outlined within the twenty first century.
If I’m reviewing this the best way it’s, then, I’m actually having fun with what I’ve in my arms. A tool on the sting of the sands of time — rooted within the cameras I really like, with simply sufficient of the way forward for pictures packed in right here for me to handle.
